Publications including this keyword are listed below.
In ‘Strategic Science Communication: A Guide to Setting the Right Objectives for More Effective Public Engagement’, authors John Besley and Anthony Dudo recognize the existing divide between practice and research in science communication and work to bridge this gap. The authors admirably balance actionable information for practitioners and the theoretical literatures underpinning them. Both of the book’s intended audiences, practitioners and researchers, can glean informative insight from its pages. The text focuses on 12 communication objectives that research suggests are at the core of effective science communication and each chapter is written using straightforward language that makes the book accessible for newcomers to the discipline. For the time-pressed science communication practitioner, each chapter includes a summary with driving questions that relate to implementation of the tactic covered in that chapter. For scholars in science communication, the chapters are good starting points for deeper examination of the related literature. Throughout the book, the authors acknowledge that the strategic communication of science is a significant challenge, one that is not to be taken lightly and can, and should, be evidence-based.
Social media have become popular channels for sharing and discussing science issues. Drawing from the classic communication theory, Public Arena Model, this paper examines how issue entrepreneurs influenced the Chinese public's cognition of GMO, especially the role of celebrities and scientists in controversial science communication. To answer this question, we used the structural topic modeling method to examine public discussion about GMO on a popular Q&A site in China (Zhihu) from 2014 to 2019 (N=40,101). In study 1, we investigated what the major themes of public discourse are about GMO and the evolution of these themes in general. In study 2, we investigated public discourse in a more specific context, an iconic event in China's GMO history, a debate between a TV celebrity and a scientist, to examine how two major issue entrepreneurs influenced what and how the public deliberated GMO. We found that the issue entrepreneurs' debate increased public discussion on the ‘science communication’ aspect of GMO yet decreased public discussion on the ‘science’ of GMO. Supporters of different entrepreneurs are divided in their attitudes and rhetoric toward GMO. These findings shed new light on how social media is a digital embodiment of the public arena where public deliberation about controversial science occur and evolve.
Introduction: Engagement, education and communication with public audiences have long been seen as important for maximising the benefits of genetics and genomics. An important challenge is how to structure engagement in such a way that recognises the value and legitimacy of diverse public opinions and voices alongside scientific expertise. In other words, how to operationalise the dialogue model of science communication. In order for diverse public voices to be heard it is important to understand the resources that people have to make sense of science on their own terms. In this paper we provide a framework for how people's resources can be identified in relation to the culture they consume. Methods: A cross sectional online survey (n=1407) explored the cultural tastes and practices of a representative British public audience. Latent class analysis identified groups with similar cultural practices. Regression analysis was used to explore the relationship between the latent classes and other measures, such beliefs about genetics. Results: Three latent classes were identified each with distinctive cultural practices and tastes. Some clear relationships were found between the latent classes and familiarity with genetic terminology. However, for more complex beliefs, such as genetic causation, regression analysis yielded null or uncertain results with no clear correlation found. Discussion: This paper provides an analysis of how people's enjoyment of culture could be a resource for understanding and advancing science communication and engagement. The results are discussed using two complementary theoretical frameworks. Using Bourdieu's concept of cultural capital, the exclusionary power culture can be seen. The work of De Certaeu, on the other hand, shows how this power can be resisted and subverted. While this paper focuses on genetics and genomics we argue that this approach provides a `proof of concept' that these ideas can be extended for use in wider science engagement contexts.
To map the public information about COVID-19 vaccines and vaccine trials in Europe, we have compiled an inventory of online communication materials from official sources (e.g., governments, public agencies, and NGOs) via directed online research. While information for the general public was abundant across Europe, we found a large variation in number, type and target audiences among countries. Little or no information was found for population groups that are typically underrepresented in vaccine clinical trials. Materials about clinical trials and trial participation were also limited. Interestingly, higher number of media materials was not reflected in higher national vaccination rates.
The film ‘Don't look up’ engages a woman science advisor, historically a very male-dominated role. Because the character of woman scientist Kate Dibiasky (Jennifer Lawrence) cannot be easily transformed into a commodity, she is side-lined as a scientific voice as she attempts to warn Earth of the coming apocalypse. For marginalised scientists, their value depends on how their identity markers are used. ‘Don't look up’ is a satire of audience apathy, corporate greed, and media manipulation but still offers a very nihilistic vision of the impact of scientists and their expertise.
In December 2021, Netflix released a comedy feature film, ‘Don't Look Up’. The film follows two scientists who discover an extinction-level comet heading for Earth, which they then attempt to warn humanity about. The makers of the film have publicly stated that the film is meant as a satirical metaphor for the response to the climate emergency. The film presents representations of science, scientists, and science communication. In this set of commentaries, experts have been selected to explore these representations and the lessons the film presents for using satire in science communication.
‘Don’t Look Up’ tells the story of a team of astrophysicists whose efforts to warn politicians, media makers, and the public about an apocalyptic comet impact on planet Earth are undermined by fundamental skepticism toward their expertise. On the one hand, the film offers a rich portrayal of contemporary anti-science sentiments, their societal conditions, and the media and communication ecology surrounding them. But on the other hand, ‘Don’t Look Up’ ignores and exaggerates several facets of those sentiments and the communicative settings in which they spread. This commentary analyzes this contrast through a science communication lens: it scrutinizes the (mis)representation of science denial and science communication in ‘Don’t Look Up’ — and aims to inspire further debate about portrayals of anti-science phenomena and potential remedies within popular media.
In this invited comment, we discuss portrayals of risk and scientific (un)certainty in ‘Don't look up’. Specific scenes of the movie were selected, to reflect how within and between the spheres of science, politics, journalism, and economics an upcoming risk and its scientific (un)certainty is (re-)interpreted and (re-)framed, in line with the respective sphere's logic. We extend our assessment by common criteria of film analysis and comparisons to climate change, where applicable. This comment emphasizes how in the movie the logic of economy is taken over by politics and journalism, and how it prevails over the logic of science.
Satire has long been used as a tool in social commentary and political communication, and in some cases this has extended to commentary about science and its role in policy. This is certainly the case for the recent Adam McKay film, ‘Don't look up’, where an allegorical story about a comet heading for Earth is used to satirise the current political and media response to the climate catastrophe. While the film succeeds in making its point, how the humour interacts with objectives of science communication highlights some risks of using satire where there's overlap between the subject of the satire and a potential audience for communication.