Filter by keyword: Science and technology, art and literature

This review of “Queer as Folklore” examines how cultural narratives and queer identity intersect to reshape our understanding of science communication. By analyzing myths, legends, and personal stories, the book illustrates how folklore operates as a form of “data storytelling”, capturing accounts of resilience, identity, and exclusion. It critiques the traditional boundaries between scientific knowledge and cultural storytelling, arguing that stories of figures like witches, vampires, and mermaids contain meaningful lessons about survival and social change. The book demonstrates how adopting a queer lens can expose power imbalances and foster inclusive communication, encouraging deeper public engagement with science.

Exploring the multifaceted relationship between scientific impact and science communication through art, our study surveys 2,500 Spanish artistic researchers. Guided by deviance theories and double standards theories we reveal a nuanced pattern: the effect of scientific impact initially impedes science communication through art, turning positive after a given impact threshold. Striking a harmonious science-art balance emerges as a mitigating factor, fostering broader links between science communication through art and scientific impact. Our findings advocate for targeted incentives to encourage science communication through art without compromising scientific impact, contributing to a deeper understanding of their complex interplay.

Mainstream science communication has struggled to drive sustainability changes. We experimented with arts-based methods in a workshop series that sought to co-create new methods and formats for sustainability science communication with communicators, artists, scientists, and policy-makers. Here, we describe how we used Hartmut Rosa’s notion of resonance to interrogate our experiences, prompted by the workshops and the artwork produced in them. We show how the elements of resonance: affection, emotion, transformation and uncontrollability, fundamentally reshaped the workshops in constructive ways that we could not have predicted. We conclude by drawing out three insights for science communication practice.

“Theatre About Science. Theory and Practice” is a result of the Theatre About Science Conference, held in November 2021 in Coimbra, Portugal. Most of the articles build upon presentations given at the conference, but some were written specifically for the publication.

Interest in science fiction's (SF's) potential science communication use is hindered by concerns about SF misrepresenting science. This study addresses these concerns by asking how SF media reflects scientific findings in exoplanet science. A database of SF exoplanets was analysed using a Bayesian network to find interconnected interactions between planetary characterisation features and literary data. Results reveal SF exoplanets designed after the discovery of real exoplanets are less Earth-like, providing statistical evidence that SF incorporates rapidly-evolving science. Understanding SF's portrayal of science is crucial for its potential use in science communication.

`Building Science Graphics' guides scientists and science communicators on how their communication of science knowledge can benefit from the visual aid of science graphics. This can be an intimidating task to someone unfamiliar with visual design, but the book demystifies this entire process, giving a simple and straightforward account of a complex topic.

We aim to understand the audience's theatrical experience of “Cidadela” — a play produced by Museu da Vida Fiocruz — and if/how it encouraged the spectators to reflect on structural sexism, which is its core theme. After analysing 299 questionnaires, we found that the audience recognised the theme as both relevant and topical and they identified and related various scenes to their own lived experiences. The play encouraged the audience to reflect on different dimensions of female empowerment, particularly the psychological and political ones. It is, therefore, worth emphasising the potential of theatre in raising awareness, evoking empathy and inspiring young people to strive for freedom and autonomy, which seems to us fundamental for young women to get closer to science and increasingly identify themselves with it.

Street art is visual art in public spaces — public art — created for public visibility. Street art addresses a massive and extremely diverse audience: everyone in a city. Using a case study approach, this article explores: 1) the extent to which science-inspired environmental street art can be considered a vehicle for science communication in less tangible science contexts and institutional settings — on the street — and 2) the strategies that street artists deploy to communicate their environmental messages through large-scale painted murals. This article clarifies how street art can be understood as a means of creative grassroots environmental communication. It shows that, and how, street art can encourage agency in pro-environmentalism and help to develop our relationship with sustainability.

People become familiar with stories as sources of information in their childhood, and, while they have recently received interest as potential science communication tools, few studies have considered aspects of story quality on science communication. We postulate that quality is an important, if challenging, facet that should be considered when exploring the potential of short stories in science communication. This essay argues that quality should be a key consideration of those interested in studying or working with short stories for science communication purposes and presents criteria for the `well-made' short story.

With its attention to empirical detail and theoretical analysis, the book is an important contribution to the field of science-and-theatre studies. The reader will not only gain insight into the many ways in which science and theatre have been combined, but also become familiar with best practices and interesting cases. The book depicts science-and-theatre as a diverse and vibrant field. Framed as a study in communicating science and technology with the performing arts, the book will serve as a source of inspiration for science communicators and science communication researchers.