The field of science communication goes by many names. This commentary explores the tensions between plain ‘‘science communication’’ and the more specific ‘‘public communication of science and technology’’. The commentary argues that science communication is not just one thing — and that’s okay.

‘Science Communication Practice in China’ is a book that does two things. One very intentional, one less so. Intentionally, it presents the state of science communication and popularisation in China with a strong focus on the historical and policy context this is embedded in. Less (or possibly un-)intentionally, it makes explicit both its assumptions about what science communication should aim for and how it should go about its business, as well as forcing the reader to acknowledge their own assumptions of the role and place of science communication.

The latest in a growing number of edited volumes that take science communication as a phenomenon to be explored through science cultures is a rich book full of theoretical and methodological rigour. There are 17 chapters included here from 33 authors across 16 different countries containing selected paper contributions from the 2018 Science & You conference in Beijing jointly organised by the Chinese National Academy of Innovation Strategy and the University of Lorraine, France. With an opening address by Massimiano Bucchi, chapters are arranged thematically, with emphasis on the roles of institutions, state and media in the social dynamics and public understandings of science and technology across global cultures.

The Polish science communication field has grown into a robust and diverse community. Centralised and governmentally funded initiatives are complemented by more bottom-up actions led by academia, researchers, journalists and educators. Still, the main goals of science communication in Poland seem to be a diffusion of scientific knowledge and building trust towards science and scientist. The concept of openness and reflexivity could help to include the needs and perspectives of non-scientific audiences into science communication practice in Poland.

The Programme for International Student Assessment (PISA) ranks Mexico in one of the last places in science performance [OECD, 2019]. This has been a concern for some local science communication groups (SCGs) in small and medium-sized cities, whose mission is to fill this disparity by performing science communication (SciCom) activities. The SCGs were contacted via a survey to collect information about their dynamics and public reach. A descriptive analysis enabled the identification of the logistics and coordination issues found among SCGs. Consequently, a local network of science communication groups is advised to reinforce their impact.

A novel and original take on the history of popular science showcases that making science accessible to the public has been part of scientific activity since ancient times. Under this lens, and through twenty-one case studies, current trends such as sci-art and virtual technology can be seen as part of a continuum that was already present in the use of aesthetic and rhetorical tools by the ancient Greeks. Thanks to a careful curation of the collection of texts, this volume as a whole offers more than the sum of its parts (chapters).

In the year of the PCST Conference that brings together scholars and experts in public communication of science, Routledge published the new edition of the Handbook of Public Communication of Science and Technology, edited by Massimiano Bucchi and Brian Trench. The book, in its third edition, seeks to update and define the field of study and application of science communication from both a theoretical and empirical point of view mostly in the light of the Covid-19 pandemic which undoubtedly represents an event of historical significance that cannot fail to question scholars on the medium and long-term effects.

This study aims to test for differences in the receptiveness of science and non-science undergraduates to positive, non-aggressive humour being used in a science article, as an exploration into the utilization of such humour as a tool for more engaging science communication. The majority of the 76 respondents to an online survey were generally receptive to such use, with some differences between the two groups. It was also noted that a receptiveness to such humour may not necessarily be associated with a receptiveness to its actual use in science articles.

When, to what extent and under what conditions autonomous driving will become common practice depends not only on the level of technical development but also on social acceptance. Therefore, the rapid development of autonomous driving systems raises the question of how the public perceives this technology. As the mass media are regarded as the main source of information for the lay audience, the news coverage is assumed to affect public opinion. The mass media are also frequently criticized for their inaccurate and biased news coverage. Against this backdrop, we conducted a content analysis of the news coverage of autonomous driving in five leading German newspapers. Findings show that media reporting on autonomous driving is not very detailed. They also indicate a slight positive bias in the balance of arguments and tonality. However, as soon as an accident involving an autonomous vehicle occurs, the frequency of reporting, as well as the extent of negativity and detail increase. We conclude that well-informed public opinion requires more differentiated reporting — irrespective of accidents.

‘Escape rooms’ are a recent cultural phenomena, whereby a group of ‘players’, often friends or colleagues, are ‘locked’ in a room and must solve a series of clues, puzzles, or mysteries in order to ‘escape’. Escape rooms are increasingly appearing in a range of settings, including science centres and museums, libraries and university programmes, but what role can an escape room play in science communication? In this commentary, we explore the emerging literature on escape rooms as well as thoughts from a small number of escape room creators in the U.S. and U.K.