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Dec 19, 2008 Commentary

The human body on Exhibit: promoting socio-cultural mediations in a science museum

This paper discusses three mediation concept approaches and, consequently, three facets of mediator action. The approaches presented start with a bibliographical review of the concept of mediation present in education and scientific communication studies. These approaches serve as a basis for interpreting a semi-directive interview with the director of the Museum of Morphological Sciences of the Federal University of Minas Gerais (UFMG). They also help us reflect on the complexity of organizing the objectives of a museum action that takes into account the transformational role of the meaning of objects in interaction with different socio-cultural subjects. In conclusion, the museum's purpose in organizing a museum action using socio-cultural mediation approach and with the mediator as a passeur libre among exhibit objects and visitors is highlighted.

Volume 7Issue 042008

Dec 19, 2008 Article

Changes in publication statistics when electronic submission was introduced in an international applied science journal

by Howard J. Swatland

In a refereed journal in the food and agriculture sector, papers were tracked over a five-year period during the introduction of electronic submissions. Papers originated in the Americas and Pacific region and were processed in Canada. Acceptance times for revised papers were reduced (P < 0.001) to 59% of the original, from 156.5 ± 69.1 days to 92.8 ± 57.5 days. But the start of electronic submission coincided with a change in the geographical origin of papers, with papers from Anglophone countries changing from a 61% majority to a 42% minority. It is possible that submissions from non-Anglophone sources were facilitated, thus creating challenges to the traditional Anglophone reviewer population.

Volume 7Issue 042008

Dec 19, 2008 Book Review

How-to establish PCST. Two handbooks on science communication

by Alessandro Delfanti

In 2008 two collections were published: the Handbook of Public Communication of Science and Technology, edited by Massimiano Bucchi and Brian Trench, and Communicating Science in Social Contexts: New models, new practices, edited by Donghong Cheng and five other scholars from China, Canada, Belgium and Australia. These books try to define and draw the boundaries of science communication’s field from both a theoretical and empirical point of view. But do we need to establish it as a distinct research field? For a number of decades, a growing community of scholars and communicators is trying to reply positively to this question, but the need to look outside the disciplinary boundaries, to other academic fields, is still vital.

Volume 7Issue 042008

Dec 19, 2008 Commentary

Mediation within science centres and museums. The guides of Universum, México

by Concepción Ruiz Ruiz-Funes

The creation of a scientific culture through the experiences that can be offered in a museum is the central theme in the training of guides at Universum. Emphasising the social importance of science democratisation, providing the public with the chance to enjoy science itself, conceiving it as a human creation of extreme beauty, giving it the chance to be appreciated and enjoyed, presenting it from the different fields where an approach to it is possible, is something difficult to achieve outside a science museum and impossible without the intervention of the anfitriones.

Volume 7Issue 042008

Dec 19, 2008 Editorial

Scientists, do it like Al Gore

by Pietro Greco

Human health has currently to face a growing series of global issues. From the spread of HIV/AIDS to a fresh outbreak of tuberculosis, increasingly drug-resistant, the world is witnessing a return, mostly unexpected, of infectious diseases. At the same time, the economic growth in many regions of the globe is generating a sort of “epidemics of wellbeing diseases”: obesity, diabetes, heart disease.

Volume 7Issue 042008

Dec 19, 2008 Commentary

The “Learning in order to Teach” project and mediation in museums using Brazilian sign language (Libras)

by Daina Leyton , Cibele Lucena , Joana Zatz Mussi

This article seeks to reflect on mediation in museums based on experiences that occurred in the “Learning in order to Teach” Project. In this case, the mediation acquires specific characteristics because it deals with young deaf people learning art-related contents in order to teach other youth in their first language. The most interesting aspect of this encounter between museum and deaf culture is a mutual, immediate and highly visible influence. While museum-goers and professionals understand that the “gestures” used by the deaf are not random (rather, on the contrary, they make up a complex language), new signs are created by the students based on the contents that are worked with and discovered in the museum. These new signs thus enrich the language itself and begin to circulate within the community.

Volume 7Issue 042008

Dec 19, 2008 Commentary

Trained to interact: echoes from the Workshop Sul-Americano de Mediação em Museus e Centros de Ciência

by Luisa Massarani , Paola Rodari , Matteo Merzagora

The initiatives focusing the professional development of explainers are multiplying around the world, building an informal network of researchers, museums managers and directors, explainers, and regional/continental networks, as THE group, the Thematic Human Interface and Explainers group of Ecsite.The Workshop Sul-Americano de Mediação em Museus e Centros de Ciência e Escola de Mediação em Museus e Centros de Ciência, which took place in Rio de Janeiro in September 2008, was a further important step along this path. We believe it is worthwhile to offer to Jcom readers some of the workshop contributions concerning the training of explainers, to which we added an overview of the general problem presented by Lynn Uyen Tran (Lawrence Hall of Science at the University of California, Berkeley).

The professionalization of educators in science museums and centers

by Lynn Uyen Tran

Experimenting mediation: a constant challenge

by Fatima Brito

Mediation within science centres and museums. The guides of Universum, México

by Concepción Ruiz Ruiz-Funes

The human body on Exhibit: promoting socio-cultural mediations in a science museum

by Silvania Sousa do Nascimento

Peer learning: a strategy for practical explainer training

by Andrea Motto

The “Learning in order to Teach” project and mediation in museums using Brazilian sign language (Libras)

by Daina Leyton, Cibele Lucena and Joana Zatz Mussi

Explainers – New energy for the museum

by Sebastian Martin and Modesto Tamez

Volume 7Issue 042008

Dec 19, 2008 Article

Public participation and rural management of Brazilian waters: an alternative to the deficit model

by Alessandro Luís Piolli , Maria Conceição da Costa

The knowledge deficit model with regard to the public has been severely criticized in the sociology of the public perception of science. However, when dealing with public decisions regarding scientific matters, political and scientific institutions insist on defending the deficit model. The idea that only certified experts, or those with vast experience, should have the right to participate in decisions can bring about problems for the future of democracies. Through a type of "topography of ideas", in which some concepts from the social studies of science are used in order to think about these problems, and through the case study of public participation in the elaboration of the proposal of discounts in the fees charged for rural water use in Brazil, we will try to point out an alternative to the deficit model. This alternative includes a "minimum comprehension" of the scientific matters involved in the decision on the part of the participants, using criteria judged by the public itself.

Volume 7Issue 042008

Sep 19, 2008 Commentary

From Land art to the “global era”

by Gaia Salvatori

In the globalisation era, arts have provided food for thought on “how latitudes became forms”, to stress again that now, at global level, one should no longer define art as a contemplation “space”, but as an “environment”, a place for experience. On the other hand, already when Bern saw the inauguration of the historic exhibition “When Attitudes became Forms” in 1969, people realised that the problem was lying in the behaviour, in the attitude, of making arts towards the world. Basically, the formalistic concept of self-referentiality in a work of art was to be overcome, and attention was to be paid to procedures and contexts. In search of a new humanism in contact with the natural universe.

Volume 7Issue 032008

Sep 19, 2008 Commentary

Being creative in a greenhouse: art and global warming

by Donato Ramani

The world, all at once, has become a small world. Not only owing to TV, satellites and the Internet that allow us to jump from side to side of our planet in a click. But also owing to a phenomenon that evokes dry lands, devastating rains, tsunamis and hurricanes, torrid summers and melting glaciers: global warming. In the heated argument on this issue with so many people talking, in the past few years also artists have made their rising voice be heard. Artists-popularisers, aware of their role and of the considerable communication potential of the art medium. Because “One salient image, sculpture or event can speak louder than volumes of scientific data”.

The human body on Exhibit: promoting socio-cultural mediations in a science museum

Changes in publication statistics when electronic submission was introduced in an international applied science journal

How-to establish PCST. Two handbooks on science communication

Mediation within science centres and museums. The guides of Universum, México

Scientists, do it like Al Gore

The “Learning in order to Teach” project and mediation in museums using Brazilian sign language (Libras)

Trained to interact: echoes from the Workshop Sul-Americano de Mediação em Museus e Centros de Ciência

The professionalization of educators in science museums and centers

Experimenting mediation: a constant challenge

Mediation within science centres and museums. The guides of Universum, México

The human body on Exhibit: promoting socio-cultural mediations in a science museum

Peer learning: a strategy for practical explainer training

The “Learning in order to Teach” project and mediation in museums using Brazilian sign language (Libras)

Explainers – New energy for the museum

Public participation and rural management of Brazilian waters: an alternative to the deficit model

From Land art to the “global era”

Being creative in a greenhouse: art and global warming

From Land art to the “global era”

Artists and now also activists to contrast global warming

Non-quantitative knowledge about global warming: a trip to Antarctica

Creating links between art and environmental education

Ruminations on the role of artists in a world of science

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