Filter by keyword: Women in science

This paper explores gender representations in Australian print and online science news over a period of five years. Using a constructed year method, stories relating to any science, technology, engineering, mathematics or health and medicine related theme were collected and analysed to better understand who writes and speaks about these topics. In contrast to earlier studies, the findings show near gender parity of journalists and a higher proportion of women used as direct sources. However, men were still more frequently used as direct sources, even in disciplines dominated by women. Journalist gender does appear to relate to the source gender. This paper proposes actions that journalists, organisations and science communicators can take to increase the diversity of sources presented in science news, recognising that gender is only one small part of the picture and future explorations should adopt an intersectional lens.

“What might our lives in outer space look like in the future? And how will those lives be shaped by gender?” These were the questions that directed students in a science communication activity in the Vienna Museum of Science and Technology in 2024. This Practice Insight reflects on this project and demonstrates how an expansive focus on gender in the long-term engagement project allowed student participants to challenge and pluralize normative masculinities of outer space futures, instead envisaging cosmic lives that supported traditional women's crafts, or gender-inclusive third spaces and city design. Rather than framing “women” and “girls” as the only subject for gender-oriented activities, this project encouraged students and educators to recognize that gender is done many different ways by different groups in societies. The paper provides prompts to readers to support them implementing similar transformations in their own science communication practices.

Promoting inclusion in science is essential for enhancing public understanding, strengthening science literacy, and addressing structural barriers to participation. To support this goal, we organized a science fair in a suburban city near Paris (France), featuring hands-on, inquiry-based activities designed to be accessible and inclusive. The event attracted a diverse audience, including groups underrepresented in science due to gender and socioeconomic background. Participant feedback emphasized the value of active engagement and direct interaction with scientists. Our findings demonstrate that inclusive, community-based outreach can effectively foster interest in science and support broader participation.

In their book Women Scientists in American Television Comedy, the three authors Karina Judd, Bridget Gaul, and Anna-Sophie Jürgens, present their study on how humor is used to portray women scientists in American television comedies such as The Big Bang Theory. The underlying theory and results are interesting to the wider science communication community, but this book might not be the best way to present them.

AI-generated avatars in science communication offer potential for conveying complex information. However, highly realistic avatars may evoke discomfort and diminish trust, a key factor in science communication. Drawing on existing research, we conducted an experiment (n = 491) examining how avatar realism and gender impact trustworthiness (expertise, integrity, and benevolence). Our findings show that higher realism enhances trustworthiness, contradicting the Uncanny Valley effect. Gender effects were dimension-specific, with male avatars rated higher in expertise. Familiarity with AI and institutional trust also shaped trust perceptions. These insights inform the design of AI avatars for effective science communication while maintaining public trust.

Despite prior research on portrayals of women in STEM in traditional media, fewer studies have considered portrayals on social media. This content analysis of Instagram posts (N=300) examined how individuals using the hashtag #WomenInSTEM presented their gender identity, STEM identity, and other social identities through digital self-portraits, selfies, and associated text. Results showed that those associating with this hashtag community primarily presented: 1) counter-gender-stereotyped portrayals, but occasionally reflected gender stereotypes in subtle ways; 2) STEM identity portrayals, mostly focused on self-recognition; and 3) self-promotional and lifestyle portrayals. Findings advance understanding of identity presentation and negotiation for individuals associating with the hashtag #WomenInSTEM through portrayals presented on Instagram. Implications for the use of social media to promote equity in STEM through outreach programs that feature women STEM role models are discussed.

We aim to understand the audience's theatrical experience of “Cidadela” — a play produced by Museu da Vida Fiocruz — and if/how it encouraged the spectators to reflect on structural sexism, which is its core theme. After analysing 299 questionnaires, we found that the audience recognised the theme as both relevant and topical and they identified and related various scenes to their own lived experiences. The play encouraged the audience to reflect on different dimensions of female empowerment, particularly the psychological and political ones. It is, therefore, worth emphasising the potential of theatre in raising awareness, evoking empathy and inspiring young people to strive for freedom and autonomy, which seems to us fundamental for young women to get closer to science and increasingly identify themselves with it.

The film ‘Don't look up’ engages a woman science advisor, historically a very male-dominated role. Because the character of woman scientist Kate Dibiasky (Jennifer Lawrence) cannot be easily transformed into a commodity, she is side-lined as a scientific voice as she attempts to warn Earth of the coming apocalypse. For marginalised scientists, their value depends on how their identity markers are used. ‘Don't look up’ is a satire of audience apathy, corporate greed, and media manipulation but still offers a very nihilistic vision of the impact of scientists and their expertise.

Both research and anecdote in science communication suggests that it is a field where women feel ‘at home’, with high numbers of women science communicators and students on training programmes, but why might this be the case? Using data gathered from a survey of 459 science communicators based in Italy, the Netherlands, Poland, Portugal, Serbia, Sweden and the U.K., we examine the perspectives of female science communicators, in terms of working practices, motivations and barriers to communicate.

Studies on women's marginalisation as authors and sources of science stories in the media in developing countries are few, and fewer in the context of genetically modified organisms (GMOs). Using feminist media theory, this study surmises that women are accordingly underrepresented in GMO stories. Based on a content analysis of 317 stories published in two Ugandan newspapers, findings indicate that chances of females being published as authors and sources increase if they collaborate with a male. There is a need for female scientists to collaborate with male counterparts and journalists to increase their visibility in the media in an agricultural sector where women are great contributors to the labourforce.