PCST 2025 took place in the silver city of Aberdeen, Scotland. Named for the sparkle of the mica in the granite of which it is largely built, Aberdeen was first scheduled to host the PCST conference in 2020, when it was cancelled due to the COVID pandemic. The conference was then hosted online in 2021, coming back to Aberdeen in person in April of 2025.
SciArt is an evolving field that seeks to bring together art and science. Numerous SciArt spaces and initiatives exist, bridging the gap between the two and fostering interdisciplinary collaborations. However, personal and interpersonal obstacles have been identified for both artists and scientists within the context of SciArt collaborations and environments. Here, we first introduce key concepts about SciArt and then leverage theories from social psychology in the study of group dynamics, including social and group identity, group norms, and minority dissent and influence, to examine artist-scientist collaborations and their challenges. Drawing on social psychology frameworks, our goal is to inform and encourage the creation of Third Spaces that identify common ground between practitioners, foster balanced interactions, build shared group identity and new group dynamics, and ultimately move beyond discipline-specific identities and institutionalized environments.
The purpose of this scoping review is to examine the available research on the relationship between research and practice in the field of science communication, identifying barriers and solutions to their disconnect. This scoping review was conducted using the Arksey and O'Malley framework. Results indicate that the main barrier is the inefficient communication between the two domains, and that the main solution lies in changing some modus operandi in science communication. In conclusion, this scoping review provides novel insights to build bridges between research and practice for the advancement of science communication.
This response addresses George Claassen's review of The Palgrave Handbook of Science and Health Journalism. The review raises several salient points; however, the biggest criticism of this work arises from a misunderstanding of the purpose of the Palgrave Handbook series. We wholeheartedly agree that there are lessons for the field of science communication. Engaging with more diverse perspectives and adopting a global lens for exploration of science and health journalism are priorities for the field. These are common themes in the Handbook, which we believe is still a useful resource to help facilitate these much-needed explorations.
Publisher's note: this letter refers to Book Review: Palgrave Handbook of Science and Health Journalism
This study explores how YouTube content creators integrate scientific evidence into their videos by analyzing citation patterns across disciplines. The role of other alternative metrics is also considered. We apply Principal Component Analysis (PCA) to compare the citation count of 12,005 research articles from Biotechnology, Psychology, Astrophysics, and Ecology published between 2014 and 2023, including citations sourced from YouTube videos. Our findings provide a characterization of two principal components in evidence citation employed by various science communication stakeholders. The first component enhances a paper's visibility by driving social attention, while the second focuses on its social influence and impact, determined by the paper's quality and scientific relevance.
Science podcasts have become an increasingly popular channel for science communication. Although podcasting has risen in popularity, little is known about why science podcasters choose to pursue this pathway for communication and how they set about achieving their goals for their podcast. Drawing on qualitative data from interviews with 20 science podcasters in Australia, our results reveal that the podcasters are mainly driven by personal factors such as their interest in, enjoyment of, and curiosity about science and that while they employ various tactics to achieve their goals, they do not consciously consider these tactics to be a form of strategic science communication.
A new JCOM paper analyzes the synergy between artists and scientists in a popular exoplanet science communication campaign
Looking for the perfect vacation? Do you crave late-night fun? PSO J318.5−22, the planet with no star where nightlife never ends, is perfect for you! Prefer some peace and a chance to catch some rays? Kepler-16b, the land of two suns—where your shadow always has company—is waiting!
In 2015, NASA launched an unusual and brilliant exoplanet outreach campaign, offering retro-style posters, virtual guided tours, and even coloring books. The project quickly went viral worldwide. What explains the success of a campaign about a relatively young field of science that—unlike other areas of space research—lacks spectacular imagery?
Ceridwen Dovey, science communicator, writer, filmmaker, and researcher, has just published in the Journal of Science Communication (JCOM) a Practice Insight paper that presents a case study focusing on the Exoplanet Travel Bureau’s poster campaign. Dovey describes the productive working relationships between scientists and artists that produced this standout work and shows how, in contexts like this, artists are not merely in service to science but can also inspire research itself and help scientists clarify their own thinking.
JCOM is at the PCST Conference 2025 in Aberdeen!
Editor-in-Chief Michelle Riedlinger and Deputy Editor Marina Joubert are attending the international gathering to engage with the global science communication community and discuss the evolving role of our field in a world shaped by both tradition and innovation.
In the picture: Michelle Riedlinger, Marina Joubert, Luisa Massarani, and Beatrice Biggio from the JCOM Editorial Office.
SISSA Medialab has successfully completed the first phase of Janeway’s development to meet the specific needs of its journals. As of April 8, 2025, the Journal of Science Communication (JCOM) has finalized its migration to the platform. The transition also includes the launch of JCOM’s new logo, reflecting the journal’s updated digital identity. This milestone marks a crucial step in the broader transition to bring all SISSA Medialab-managed journals onto Janeway, the open-source platform initially developed by the Open Library of Humanities based at Birkbeck, University of London, as part of the Open Libraries of Humanities initiative.
Authoritative, intelligent, responsible, serious—if you were asked to describe the general figure of a scientist, you would probably use adjectives like these. However, “funny” would likely not be the first word that comes to mind. Scientists, in fact, rarely adopt a humorous tone when communicating with the public, perhaps out of fear of appearing less credible. Yet, a new study published in the Journal of Science Communication (JCOM) suggests exactly the opposite: the use of humor—in this study, specifically in the context of artificial intelligence—can enhance both the likability of scientists and the perceived reliability of the scientific information they convey.
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