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Dec 19, 2008 Book Review

How-to establish PCST. Two handbooks on science communication

In 2008 two collections were published: the Handbook of Public Communication of Science and Technology, edited by Massimiano Bucchi and Brian Trench, and Communicating Science in Social Contexts: New models, new practices, edited by Donghong Cheng and five other scholars from China, Canada, Belgium and Australia. These books try to define and draw the boundaries of science communication’s field from both a theoretical and empirical point of view. But do we need to establish it as a distinct research field? For a number of decades, a growing community of scholars and communicators is trying to reply positively to this question, but the need to look outside the disciplinary boundaries, to other academic fields, is still vital.

Volume 7Issue 042008

Dec 19, 2008 Article

Changes in publication statistics when electronic submission was introduced in an international applied science journal

by Howard J. Swatland

In a refereed journal in the food and agriculture sector, papers were tracked over a five-year period during the introduction of electronic submissions. Papers originated in the Americas and Pacific region and were processed in Canada. Acceptance times for revised papers were reduced (P < 0.001) to 59% of the original, from 156.5 ± 69.1 days to 92.8 ± 57.5 days. But the start of electronic submission coincided with a change in the geographical origin of papers, with papers from Anglophone countries changing from a 61% majority to a 42% minority. It is possible that submissions from non-Anglophone sources were facilitated, thus creating challenges to the traditional Anglophone reviewer population.

Volume 7Issue 042008

Dec 19, 2008 Commentary

The professionalization of educators in science museums and centers

by Lynn Uyen Tran

Explainers have a longstanding presence in science museums and centres, and play a significant role in the institutions’ educational agenda. They interact with the public, and help make visitors’ experiences meaningful and memorable. Despite their valuable contributions, little research attention has been paid to the role and practice of these individuals. From the limited research literature that does exist, we know that museum educators employ a complexity of skills and knowledge. We also know such educators have a variety of experiences and qualifications – this creates a rich diversity within the field. Finally we know that the content and quality of programmes designed to educate novice explainers vary across institutions. Should we work toward a shared identity across institutions? Or even a “professionalization”? The paper explores the state of the art of the discussion around that questions.

Volume 7Issue 042008

Dec 19, 2008 Commentary

Mediation within science centres and museums. The guides of Universum, México

by Concepción Ruiz Ruiz-Funes

The creation of a scientific culture through the experiences that can be offered in a museum is the central theme in the training of guides at Universum. Emphasising the social importance of science democratisation, providing the public with the chance to enjoy science itself, conceiving it as a human creation of extreme beauty, giving it the chance to be appreciated and enjoyed, presenting it from the different fields where an approach to it is possible, is something difficult to achieve outside a science museum and impossible without the intervention of the anfitriones.

Volume 7Issue 042008

Dec 19, 2008 Commentary

Explainers – New energy for the museum

by Sebastian Martin , Modesto Tamez

The Exploratorium explainer program is not only important to the young people involved, but is an integral part of the museum culture. This initiative that started to help the youth of our community has blossomed into a program that has been very helpful to the science centre. In fact, the institution would not be complete without the fresh energy of the explainers. They help the Exploratorium to continue to give the real pear to its public.

Volume 7Issue 042008

Dec 19, 2008 Commentary

The human body on Exhibit: promoting socio-cultural mediations in a science museum

by Silvania Sousa do Nascimento

This paper discusses three mediation concept approaches and, consequently, three facets of mediator action. The approaches presented start with a bibliographical review of the concept of mediation present in education and scientific communication studies. These approaches serve as a basis for interpreting a semi-directive interview with the director of the Museum of Morphological Sciences of the Federal University of Minas Gerais (UFMG). They also help us reflect on the complexity of organizing the objectives of a museum action that takes into account the transformational role of the meaning of objects in interaction with different socio-cultural subjects. In conclusion, the museum's purpose in organizing a museum action using socio-cultural mediation approach and with the mediator as a passeur libre among exhibit objects and visitors is highlighted.

Volume 7Issue 042008

Dec 19, 2008 Commentary

The “Learning in order to Teach” project and mediation in museums using Brazilian sign language (Libras)

by Daina Leyton , Cibele Lucena , Joana Zatz Mussi

This article seeks to reflect on mediation in museums based on experiences that occurred in the “Learning in order to Teach” Project. In this case, the mediation acquires specific characteristics because it deals with young deaf people learning art-related contents in order to teach other youth in their first language. The most interesting aspect of this encounter between museum and deaf culture is a mutual, immediate and highly visible influence. While museum-goers and professionals understand that the “gestures” used by the deaf are not random (rather, on the contrary, they make up a complex language), new signs are created by the students based on the contents that are worked with and discovered in the museum. These new signs thus enrich the language itself and begin to circulate within the community.

Volume 7Issue 042008

Sep 19, 2008 Article

Student science publishing: an exploratory study of undergraduate science research journals and popular science magazines in the US and Europe

by Mico Tatalovic

Science magazines have an important role in disseminating scientific knowledge into the public sphere and in discussing the broader scope affected by scientific research such as technology, ethics and politics. Student-run science magazines afford opportunities for future scientists, communicators, politicians and others to practice communicating science. The ability to translate ‘scientese’ into a jargon-free discussion is rarely easy: it requires practice, and student magazines may provide good practice ground for undergraduate and graduate science students wishing to improve their communication skills.

Volume 7Issue 032008

Sep 19, 2008 Commentary

Being creative in a greenhouse: art and global warming

by Donato Ramani

The world, all at once, has become a small world. Not only owing to TV, satellites and the Internet that allow us to jump from side to side of our planet in a click. But also owing to a phenomenon that evokes dry lands, devastating rains, tsunamis and hurricanes, torrid summers and melting glaciers: global warming. In the heated argument on this issue with so many people talking, in the past few years also artists have made their rising voice be heard. Artists-popularisers, aware of their role and of the considerable communication potential of the art medium. Because “One salient image, sculpture or event can speak louder than volumes of scientific data”.

From Land art to the “global era”

by Gaia Salvatori

Artists and now also activists to contrast global warming

by Alessandra Drioli

Non-quantitative knowledge about global warming: a trip to Antarctica

by Andrea Polli

Creating links between art and environmental education

by Robert W. Turner

Ruminations on the role of artists in a world of science

by Edward Morris and Susannah Sayler

Volume 7Issue 032008

Sep 19, 2008 Commentary

Creating links between art and environmental education

by Robert W. Turner

Artists have used the environment as a subject forever and there is a long history of artists whose works affect peoples’ awareness of and perceptions of their natural environments. But only relatively recently have other artists become part of the modern environmental movement and of efforts to educate college students and the population at large about environmental issues. Environmental studies programs need to take advantage of this increased interest on the part of artists, and global warming provides a perfect vehicle.

Volume 7Issue 032008

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